George Orgera, founding CEO and president of F&F Productions, remains a man of vision and the driving force behind a company whose success story is rooted in a commitment to engineering excellence backed by a team of veteran broadcasters who, over the years, have traveled its remote-television-production units to virtually every country in the Western Hemisphere.<\/p>\n
\u201cGeorge is an icon and an original in our industry,\u201d says Chris Calcinari, VP, remote operations, ESPN. \u201cHis personality is larger than life, and his word is something that you can count on. All of us at ESPN have been very fortunate to work with him, share laughs with him, and learn from him. His legacy is simple: true gentleman, fun to be around, smart and fair businessman that cares deeply about his clients.\u201d<\/p>\n
Orgera\u2019s impact on the industry began in 1973, when he was chief engineer at WTOG-TV St. Petersburg, FL. He often found himself huddled with his technicians inside a Chevy cube van while managing a dual role when he assumed the duties of overseeing the station\u2019s remote TV productions.<\/p>\n
With a vision of growth, Orgera was convinced that there were opportunities for a sophisticated mobile TV-production service.<\/p>\n
In 1974, he sold his boss, James Dowdle, on the idea of expansion, added another camera to the cube van, and secured weekly production of Championship Wrestling From Florida and other events around the Tampa Bay area. From there, Orgera put his creative thinking, sales experience, and engineering talents to work and began developing what would later become F&F Productions.<\/p>\n
In 1976, WTOG experienced significant expansion. Orgera began growing the fleet by offering the best broadcast gear of its day in roomy surroundings aboard the Barth. With room for six people, the 28-ft. \u201cgo anywhere\u201d unit featured four cameras, a 2M\/E production switcher, 1-in. tape machines with slo-mo controllers, a custom 16x4x1 audio console, and two-channel graphic generators. The Barth was a perfect fit for the North American Soccer League and its live broadcasts for the Tampa Bay Rowdies and the Fort Lauderdale Strikers.<\/p>\n
Orgera\u2019s track record and well-positioned proposal allowed him to successfully persuade his colleagues at Hubbard Broadcasting to create a new division. In 1979, F&F was spun off as a corporation and leaped into the fledgling independent-remote-broadcast industry, commissioning the first of its flagship mobile production units.<\/p>\n
In 1981, Orgera debuted the first of F&F\u2019s signature GT (rumored to stand for \u201cGreat Trucks, Great Team\u201d) series. The GTX-1, a 48-ft. mobile production facility, was put on display for examination by tens of thousands of broadcasters attending the NAB Show from all over the world.<\/p>\n
Orgera\u2019s business success has been matched by technical innovation. He designed and built the first Ku-band ENG truck, which is now on display at the Newseum in Washington, D.C.<\/p>\n
Orgera also contributed to the original design of an interruptible RTS system that would set a new communications-system standard still used universally throughout the industry.<\/p>\n
Over the years, F&F has been a mainstay at events like The Masters, CBS college football, and the US Open tennis tournament. And there have been plenty of special moments, including in 1984 when an F&F truck covering the Baseball World Cup was the first American vehicle since 1958 to traverse Cuba. In addition, in 1985, an F&F mobile production unit was the only American remote facility to support the Live Aid concert in Philadelphia.<\/p>\n
\u201cThrough the years I have known him, George has been a spirit of innovation, fairness, and industry diplomacy,\u201d says Mike Davies, SVP, technical and field operations, Fox Sports. \u201cFrom his first \u2018great truck\u2019 to the newer ones that handle some of the biggest shows in the country, he has put an indelible mark on the mobile-unit business through his vision and demeanor that is truly far-reaching in sports television.\u201d<\/p>\n
\u2014 Ken Kerschbaumer, Executive Director, Editorial, SVG<\/p>\n","protected":false},"featured_media":770,"template":"","meta":{"_acf_changed":false,"_links_to":"","_links_to_target":""},"tags":[28],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/inductees\/509"}],"collection":[{"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/inductees"}],"about":[{"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/types\/inductees"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/media\/770"}],"wp:attachment":[{"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/media?parent=509"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/tags?post=509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}