Gene Mikell will enter the Sports Broadcasting Hall of Fame not just as an octogenarian but as an octogenarian who still spends a day or two a week working in a remote-production truck for Fox Sports.<\/p>\n
\u201cI work with a bunch of guys in their 40s and younger, and I try to keep up with them,\u201d he says. \u201cAnd, if they do something I don\u2019t like, I\u2019ll tell them.\u201d<\/p>\n
Born near Jacksonville, FL, Mikell spends much of his time on a farm far removed from the high-tech world of the video-control area he calls home on the road. Odds are, you don\u2019t recognize his work, but you have seen it: he sets the course for the video-control department at Fox Sports. Video control includes the role of camera shader, making sure that all the cameras match and the images they provide to the production team are realistic in terms of color and lighting.<\/p>\n
\u201cIf you don\u2019t have pretty cameras, you don\u2019t have a good show,\u201d Mikell observes. \u201cBecause I worked on them, I know what is going on internally in the camera, and that helps an awful lot with color.\u201d<\/p>\n
His interest in technology began when his father sent him to a six-month technical school in Atlanta in 1956.<\/p>\n
\u201cI had no idea why he sent me there. I just figured he wanted me to be able to fix TVs,\u201d he recalls. \u201cBut, when I got home, I registered with a job agency in Jacksonville and interviewed with a TV company. It was the local NBC affiliate, and I got the job on the spot, beginning as a mail boy.\u201d<\/p>\n
Mikell quickly took on a number of tasks, including moving studio props, camera operator, and even film editor and engineering. Working with cameras kicked off an interest that has served him well in his career: his work in camera shading and video control has put him at the top of his field.<\/p>\n
Working in Jacksonville gave Gene a unique opportunity: working on many rocket launches at Cape Canaveral, from Alan Shepard\u2019s first until the days of the Shuttle launches. \u201cNBC Network news would ask for me,\u201d he recalls, \u201cand I would do video for the space shots.\u201d<\/p>\n
He would spend 28 years at the NBC station and, in his late 40s, walked out and entered the freelance world.<\/p>\n
\u201cI didn\u2019t know if I could make it or not,\u201d he says, \u201cbut I had a desire go out and do something different.\u201d<\/p>\n
His work at NBC Network also gave him a chance to work on the sports side as a freelancer for Sports Broadcasting Hall of Famers like Frank Chirkinian and Don Ohlmeyer. Golf, tennis, college football, and Indy car were among the events he worked, and his efforts led him to Miami-based World Sports Vision Group, for which he installed on-board cameras for NASCAR races. In that role, he met Hall of Famers Fred Aldous, Jerry Steinberg, and Ed Goren, who were then at CBS Sports and would bring him on board to work at Fox Sports in 1994.<\/p>\n
One of his favorite jobs has been working with WTVJ Miami. In 1987, Pope John Paul II was coming to visit, and Mikell was assigned the task of putting a camera on the \u201cPope Mobile.\u201d The camera was a hit and even traveled with the Pope across the Atlantic to Europe, and he eventually saw shots from its use in Europe.<\/p>\n
\u201cThat was a highlight,\u201d he says. \u201cThere is no better feeling than knowing that everyone in the world would see it.\u201d<\/p>\n
Mikell\u2019s wife, Sandra, died 15 years ago, but he has two daughters, one of whom lives with him on the farm, making sure everything is okay while he is on the road. And, on the road, he has the Fox Sports team and people like Aldous keeping an eye on him.<\/p>\n
\u201cFreddie and I work on different ends of the truck,\u201d says Mikell, \u201cbut he doesn\u2019t let a day go by without asking me if anything was wrong.\u201d<\/p>\n
Says Aldous, \u201cI first met Gene in the mid \u201980s working with CBS. The thing that most impressed me was how he handled any situation with ease, as well as his interaction with others. He has a great eye for detail and has mentored many video shaders throughout the years. And he is, by far, the nicest man in television.\u201d<\/p>\n","protected":false},"featured_media":909,"template":"","meta":{"_acf_changed":false,"_links_to":"","_links_to_target":""},"tags":[45],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/inductees\/908"}],"collection":[{"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/inductees"}],"about":[{"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/types\/inductees"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/media\/909"}],"wp:attachment":[{"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/media?parent=908"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sportsbroadcastinghalloffame.org\/wp-json\/wp\/v2\/tags?post=908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}